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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently founded the pioneering techno group The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I ended up damage myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and fractured about multiple ribs and fractured my wrist."

After catching pneumonia and suffering from sepsis, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the summer, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for release next year.

"He was concentrated and so happy with the latest project that we actually finished only a few days ago," stated the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant part of my life and for the music you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from being in a band, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in Blackpool with his new family his caregivers, who altered his given name from his birth name to David, together with his sibling Susan, who was also adopted.

He encountered Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an distinctive pairing: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant performer, all sparkle and makeup; but they achieved a unique creative synergy.

Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk perform on BBC science show Tomorrow's World, and started to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the UK's second biggest-selling song of the early 80s, shifting 21 million copies globally. Alongside hits by other artists, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 80s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's death

Professional Journey

Success had its benefits. "I loved being able to purchase my first home, having money and travelling, which might seem like a Miss World," Ball recently told with a music magazine.

But it also caused problems. "Newfound wealth meant we could purchase substances to relieve the boredom" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before ending the band to focus on other projects.

Almond went on to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

After a further break, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they stayed active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the duo's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He noted that his period in medical care had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were completed only days before Ball passed away. It is scheduled for release in Spring 2026.

Written by

Kenneth Hall

A tech minimalist and lifestyle writer passionate about simplifying digital habits and sustainable living practices.

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